Wednesday, July 23, 2014

Speed 2 Month Day 23: Cost Effectiveness



My blood pressure is still recovering from that brief look at the Star Wars prequels, so Nic Cage is going to get bumped again. I know you’re all so sorry about that. Instead, I’m taking an average of the different budget totals of SPEED 2 and looking at other movies made for that amount. And my friends, there are a lot.

Figuring that the average budget of SPEED 2 is 85 million dollars, which is likely far below the true amount, these are some of the other films made for that amount: Cast Away, Fast & Furious (as well as the Tokyo Drift sequel), I Now Pronounce You Chuck and Larry, Ocean’s Eleven and Ocean’s Thirteen, Memoirs of a Geisha, Tower Heist, Enemy of the State, The Last Action Hero and The Holiday. As much as I’d enjoy picking apart a movie like I NOW PRONOUNCE YOU CHUCK AND LARRY, I’ve yet to see it, so it’s off the table. Most of these, and others that also had an 85 million dollar budget, I have seen. Some are actually pretty damned good. The fact that OCEAN’S ELEVEN and OCEAN’S THIRTEEN were both made for the same budget is interesting, considering the size and scope of those flicks. But, I’m not peering in their direction, either.

TOWER HEIST hit the silver screen in 2011 after a roughly six year development process, in which Eddie Murphy initiated the idea, dropped out, then came back to. It had a fairly large cast and likely was aiming at the audience that enjoyed the 3 (or 4, if you count the original) Ocean’s Eleven movies. The plot is fairly dense, for a caper movie, trying to envelop headlines of the day with characters moviegoers would root for. In brief, most of the characters work at an expensive high-rise apartment complex and have let one of the residents take their live savings and investment plans to invest in a money-making venture. Turns out he’s a massive white-collar crook and all their money is gone, though he’s put in house arrest at the apartment he owns in the building. Plans go ahead for the workers to try and steal their money back, with the aid of a street crook, under the nose of the FBI. As usual, chaos ensues.

Overall, it’s not a terrible movie, thereby placing it far beyond the reach of SPEED 2. The flaws of the film nearly outdo the respectability of the story, sadly, making it nothing more than a one-viewing flick. The promos gave high hope to the story, making it out to be a comedy-caper. It really isn’t, even though there are quite a few comedic moments within. Alan Alda plays the Bernie Madoff-like part, and does quite well in the role. He definitely got a juicy role, and ran with it. If you’re an Alda fan, you’ll like the movie just for his scenes. If you’re an Eddie Murphy fan, you may not get quite what you bargained for here. While he does put some work into his role, it almost feels as if he’s just playing a more “real”, a more “dark” version of Billy Ray Valentine, the character he portrayed in TRADING PLACES. Ben Stiller is the lead, steering away from his more silly comedy roots and stepping up into the core everyman that he is actually quite good at. In fact, if you have seen this movie, I highly recommend his version of THE SECRET LIFE OF WALTER MITTY, where he admirably steps into the shoes of leading man far and above anything else I’ve seen him in. Matthew Broderick is also in this flick, somewhere. Mostly he’s background material or has little to say. It isn’t a strong performance. Most of the secondary characters get good bits; though some feel like they’re just tacked on to add a multinational feel of the class struggle that’s part of the overall plot. Some of it works, some doesn’t. The theft itself isn’t great; mostly the story revolving around the why of the theft is what really drives the movie. As usual with feel-good films like this, you get the obligatory “happy ending” that may be a bit overdone.


85 million dollars vs. 160 million dollars. It’s hard to make money the main focus of a diatribe like this, but if fat, boring Kevin Smith can do it, why couldn’t Jan de Bont? Well, TOWER HEIST wasn’t done by fat, boring Kevin Smith, but Brett Ratner of the RUSH HOUR series of movies, which were massive hits. Makes you wonder why the RUSH HOUR sequels worked for Ratner and SPEED 2 just bombed for de Bont, doesn’t it? Ha. Nope.

TOWER HEIST pulled in about 153 million dollars worldwide, which doesn't quite better SPEED 2's totals of 164 million, nor did it make much money for the studio, but it certainly wasn't the stinking bomb of the latter. Nor did it have Jason Patric.

More SPEED 2 incompetence tomorrow!

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